Dark-Eyed Junco

Junco

Male slate coloured (dark-eyed) juncos are some of my favourite birds. I think there’s always a bit of a “Wallace and Gromit” charm about them . This rendering is acrylic, water colour pencil, and graphite on Arches cotton rag water colour paper (7.5 x 10 in).

Bits and Bobs 6

I’m continuing to fit in little projects between larger pieces. Here’s another piece in the series I’m slowly building that’s based on doodles. It’s acrylic on 8″ x  8″ gessoed hardboard panel.
Dusting of Snow

Below is a study of autumn milkweed rendered in acrylic on rag paper. A subscriber to my other blog – http://www.odds8ends.wordpress.com – asked why I use photos with my posts instead of drawings or paintings. To be honest I never really considered it simply because my own photographs and words have always been the standard I applied when posting there. The study below is a little step into exploring possible methods of creating images to use with text on that blog.

Waiting on the Wind

Bits and Bobs 5

I’ve been busy putting together a small show that’s currently running at a local performing arts centre. Here are 3 new pieces that I included in the exhibit. They’re all acrylic on 6′ x 6′ gallery wrapped canvas.

Red Peak

 

Foggy Corner

It’s a little hard to get an idea of the scale of these small canvases. I refrained from cropping this photo in order to provide reference points to better illustrate the sizes.

IMG_0211

Trail Sketching

Last week I headed 600 km north to spend 5 days in Killarney Provincial Park. It’s a great time of year to camp up north as there aren’t a lot of bugs out, there aren’t as many people around as in summer, and the fall colours are incredible. With days full of hiking, canoeing, and trying to keep warm (plus the early autumn sunsets), there wasn’t much time for art but I did manage to do some rough, super quick, pen and water colour sketches.

Killarney quick sketch autumn birch

Killarney quick sketch plants

 

Killarney quick sketch George Lake

Bits and Bobs – 4

This is another piece executed on a 6″ by 6″ birch plywood panel. I didn’t cropped the jpeg closely as I wanted to include a shadow that shows a bit of the depth created by the 1.5″ basswood frame the board is mounted on. I sealed the panel with 2 coats of matt medium to help prevent pigment bleeding as the composition is very busy and I wanted to reduce any opportunities to add more complexities to image.

Ladybug alights

Milkweed Autumn

This portrait is acrylic on a 2 foot by 3 foot medium rough canvas. The canvas presented a problem as it already had the roughing in for another piece which didn’t get very far. If you’ve ever worked with canvas you know that it can be very difficult to completely eradicate any under painting. I didn’t want to trash the canvas (it was gallery wrapped so it wasn’t cheap). I opted to sand out as much texture as I could and put down 2 layers of opaque undercoat. Finally I incorporated a bit of the spatial characteristics of the original paint sketch to negate any issues that might arise from the canvas having a prior partial life.

Rosa at the field's edge

 

Portrait of a Young Man

This portrait is on a 2 ‘ by 2 ‘ canvas and it’s executed in acrylic. It’s a very personal piece as it’s a portrait of my son. Many of the decisions I made, from composition to lighting, came about for very specific reasons. Several years ago he came home from school for a month to recover from surgery to correct a life threatening medical condition. We all have a number of “befores and afters” in life and this was a very significant one for him (and for all our family). Here I’ve set him alone against an ambiguous background. There’s a source of light behind but his face is cast in partial shadow. He doesn’t gaze out of the canvas but inward, caught up in his own thoughts.

 

Portrait of a young man