Here are several selections of recent sketches from my travel sketchbook. I’ve had a number of sketchbooks but this is my old go to comfort one. I’ve been carrying it around in my purse for years. It’s become quite battered with dented corners and dirty edges. These sketches are from the very last pages as the book is finally filled up. I feel a little sad that I won’t be bringing it along with me anymore.
I’m continuing to fit in little projects between larger pieces. Here’s another piece in the series I’m slowly building that’s based on doodles. It’s acrylic on 8″ x 8″ gessoed hardboard panel.
Below is a study of autumn milkweed rendered in acrylic on rag paper. A subscriber to my other blog – http://www.odds8ends.wordpress.com – asked why I use photos with my posts instead of drawings or paintings. To be honest I never really considered it simply because my own photographs and words have always been the standard I applied when posting there. The study below is a little step into exploring possible methods of creating images to use with text on that blog.
I’ve been busy putting together a small show that’s currently running at a local performing arts centre. Here are 3 new pieces that I included in the exhibit. They’re all acrylic on 6′ x 6′ gallery wrapped canvas.
It’s a little hard to get an idea of the scale of these small canvases. I refrained from cropping this photo in order to provide reference points to better illustrate the sizes.
Last week I headed 600 km north to spend 5 days in Killarney Provincial Park. It’s a great time of year to camp up north as there aren’t a lot of bugs out, there aren’t as many people around as in summer, and the fall colours are incredible. With days full of hiking, canoeing, and trying to keep warm (plus the early autumn sunsets), there wasn’t much time for art but I did manage to do some rough, super quick, pen and water colour sketches.
This portrait is acrylic on a 2 foot by 3 foot medium rough canvas. The canvas presented a problem as it already had the roughing in for another piece which didn’t get very far. If you’ve ever worked with canvas you know that it can be very difficult to completely eradicate any under painting. I didn’t want to trash the canvas (it was gallery wrapped so it wasn’t cheap). I opted to sand out as much texture as I could and put down 2 layers of opaque undercoat. Finally I incorporated a bit of the spatial characteristics of the original paint sketch to negate any issues that might arise from the canvas having a prior partial life.
I’m continuing to work on smaller scale pieces to keep up momentum when I need a break from larger paintings and drawings. This piece is on a 6″ by 6″ birch plywood panel (it’s mounted on a 1.5″ basswood frame). I didn’t seal the panel so that I could take advantage of the pigment bleed to suggest foliage in the background.