Painted Phone Case

I thought my phone case could use a little dressing up so I added a belted kingfisher. It looks a little odd when opened up and laid flat. Closed it works as 2 images with the bird on the front and its habitat on the back. The case has a sealed finish so it doesn’t lend itself to this kind of process. I did add a layer of varnish but the act of opening and closing the phone case regularly means this decorative detail won’t last very long. I have a tendency to paint random objects on a whim.  Permanency isn’t factored in as it’s just for fun.


Sketchbook Selection – Crow Study

This crow study was completed in my small (5 1/2 by 8 in) sketchbook. Rather than using a pigment (ink) pen this image was rendered with a brush, Speedball Super Pigmented Acrylic Ink, and acrylic paint. Using a brush with the acrylic ink allows for the opportunity to make a variety of marks without changing tools. The super black ink is highly opaque when undiluted but I also used it as a wash here to create different tones. I opted to work from dark to light and layered acrylic paint on top of the ink to flesh out the image.

Painting on Found Objects – Barn Owl Saw

It’s common to find old implements at yard sales and second hand stores in my area. They can be oil covered or rusty so prep work is required before they can be painted. I bought this saw from a second hand charity shop. It was rusty so I sanded it and applied a coat of Tremclad rust primer to create a sealed base coat. The barn owl is painted in acrylic. It’s a bit stylized which I think is a good approach for a found object painting. To finish I applied a spray coat of Krylon varnish to the blade to protect the painting from scratches. I left the handle alone as I like the worn condition left from actual use. It’s a bit of an odd object to photograph so I opted to hang it on plant hook in my back yard to get a full length picture. I’ve included a closer look below as well with a bit less of the background.

 

 

As The Crow Flies

This 12 inch square piece is acrylic on board. I combined imagery sourced from my collection of photographs to create the narrative.

This is the first time I’ve attempted something figurative on such a small scale. I’m not sure if it’s something I will repeat. Because the picture above is a close up cropped image you can get a good sense of the elements but viewing the piece from a distance (as in the un-cropped photo below) I feel like a bit of that is lost because of the size.

That said I don’t feel the piece is unsuccessful. I did establish a solid narrative theme, which was my original intent, as well as learned a bit about the ins and outs of working smaller.

Painting on Found Objects – Juvenile Great Grey Owl

My house was built circa 1910. Being a lath and plaster construct, it wasn’t insulated. The people who owned it before us installed blown insulation in the walls and attic. At that time most of the attic flooring was removed leaving a few planks to walk on and a couple of smaller cuts lying around. I’m not sure what kind of wood the flooring is but I’m of the mind that it might be hemlock. The portion I used to create this piece has a lovely rich colour along with some interesting dings and scratches. Neither the bottom or top are cut even. It’s an odd fifteen-ish inches high and a smidgen under one inch deep. It is tongue and groove but the groove side was snapped off (it’s still a foot across though). It’s not “pretty” but those are my favourite kind of found objects to use. They have their own history and that added element enriches the final piece.

I’ve not been lucky enough to photograph a Great Grey Owl so I went online to research my subject. I didn’t draw from any single source but rather found inspiration in a variety of places. I noticed that owls exhibit consistent perching behaviour no matter the breed or environment so that determined the composition. I used a layer of matte varnish to seal the wood before I started painting. This juvenile Great Great Owl, painted with acrylic and somewhat stylized, is all about the brushwork. Building from dark to light I fashioned shape and substance with layers of small brushstrokes making no attempt to blend or smooth them out. I wanted the image to retain the unique properties of the wood surface. To that end, although there are multiple layers of paint it’s not so thick as to hide the texture of the wood allowing it to be seen through the brushstrokes.

 

Winter Eagle

I captured an image of an immature bald eagle way back in February 2006. I was heading down to the lake and stopped to look over the cliffside to see how rough the water was. I was surprised to see the eagle sitting there. The picture ended up blurry as I only had a split second before the raptor saw me and took off. The photograph wasn’t good enough to use anywhere but it was interesting enough to keep for resource material.

For this project I created contrast by layering watercolour washes and allowing them to dry before working darker linear elements on top. The original image was very grey. I thought it might look muddy rendered in watercolour so I opted for a brighter palette. Acrylic was used for the white highlights.

If you compare it to the original image (bottom of post) you can see my watercolour sketch isn’t a faithful rendering. That wasn’t really what I was about here. I primarily wanted to explore how this would work with watercolours in a small scale.

I’ve included this picture to better show the size of the piece. I photographed my sketchbook in the mudroom off the back of the house to make use of the afternoon light. I wish it was as warm as this picture makes it look. It was super chilly!

Although an interesting experiment, I’m not sure watercolour was the most effective medium for this particular composition. I’m not saying I’m unhappy with the results. I learned a lot and if I return to this image as a resource I’ll have a better understanding of how to work with it.

 

Crafty Christmas 2018

A number of years ago I worked for a giftware company bulk painting folk art items for retail. It was piece work so the more pieces you painted the more money you made. It wasn’t particularly challenging for technique. The pieces had to be simple so they could be mass produced but I did pick up some nifty tricks (floating, double loading, tole patterning) that are fun to revisit every once in awhile. I’m crafty keen about Christmas. I make my own fresh evergreen planters, decorative wreaths, and ornaments.

Ornament creation is a great activity to incorporate some of those folk techniques. I usually use whatever things I have lying around. I work with low viscosity (craft/folk art) paint and I don’t finish varnish. The two ornaments hanging from the lights on either side of the fireplace were made with some old plywood odds and ends. The figures are intended to look as if they’re parachuting down into Christmas.

They’re probably not what you would traditionally think of as ornaments because they’re quite large.

Here’s a closer look at the Jester in a Box whilst hung to provide a better idea of the scale.

I used metallic string to join the two pieces in a fun way.

These ornaments have much more detail than any of the bulk work I did whilst painting giftware.

 

Looking at the back it’s easier to see just how rough the scrap plywood is (I only sanded the cut sides) but I like that for these pieces. It’s an approach that falls into that homespun handmade feel that I associate with Christmas.

Sketchbook Selection September 2018

Sticky, humid, and bug filled days worked as a bit of encouragement to spend more time inside over the summer. This sketchbook selection was sourced from a photograph I took in the spring several years ago. It’s pretty common around here to find Dutchman’s breeches spreading out on the woodland floor pushing aside last year’s fallen leaves. The underlying drawing was created using a Staedler pigment liner and a Pigma Graphic ink pen. I used acrylic paint to finish the piece. Because I was working inside I was able to do a couple of scans of the work in progress.

Pen and ink drawing

 

Painting in progress

 

Finished piece

 

Dark-Eyed Junco

Junco

Male slate coloured (dark-eyed) juncos are some of my favourite birds. I think there’s always a bit of a “Wallace and Gromit” charm about them . This rendering is acrylic, water colour pencil, and graphite on Arches cotton rag water colour paper (7.5 x 10 in).

Bits and Bobs 6

I’m continuing to fit in little projects between larger pieces. Here’s another piece in the series I’m slowly building that’s based on doodles. It’s acrylic on 8″ x  8″ gessoed hardboard panel.
Dusting of Snow

Below is a study of autumn milkweed rendered in acrylic on rag paper. A subscriber to my other blog – http://www.odds8ends.wordpress.com – asked why I use photos with my posts instead of drawings or paintings. To be honest I never really considered it simply because my own photographs and words have always been the standard I applied when posting there. The study below is a little step into exploring possible methods of creating images to use with text on that blog.

Waiting on the Wind