I’ve been busy putting together a small show that’s currently running at a local performing arts centre. Here are 3 new pieces that I included in the exhibit. They’re all acrylic on 6′ x 6′ gallery wrapped canvas.
It’s a little hard to get an idea of the scale of these small canvases. I refrained from cropping this photo in order to provide reference points to better illustrate the sizes.
Last week I headed 600 km north to spend 5 days in Killarney Provincial Park. It’s a great time of year to camp up north as there aren’t a lot of bugs out, there aren’t as many people around as in summer, and the fall colours are incredible. With days full of hiking, canoeing, and trying to keep warm (plus the early autumn sunsets), there wasn’t much time for art but I did manage to do some rough, super quick, pen and water colour sketches.
This portrait is acrylic on a 2 foot by 3 foot medium rough canvas. The canvas presented a problem as it already had the roughing in for another piece which didn’t get very far. If you’ve ever worked with canvas you know that it can be very difficult to completely eradicate any under painting. I didn’t want to trash the canvas (it was gallery wrapped so it wasn’t cheap). I opted to sand out as much texture as I could and put down 2 layers of opaque undercoat. Finally I incorporated a bit of the spatial characteristics of the original paint sketch to negate any issues that might arise from the canvas having a prior partial life.
This portrait is on a 2 ‘ by 2 ‘ canvas and it’s executed in acrylic. It’s a very personal piece as it’s a portrait of my son. Many of the decisions I made, from composition to lighting, came about for very specific reasons. Several years ago he came home from school for a month to recover from surgery to correct a life threatening medical condition. We all have a number of “befores and afters” in life and this was a very significant one for him (and for all our family). Here I’ve set him alone against an ambiguous background. There’s a source of light behind but his face is cast in partial shadow. He doesn’t gaze out of the canvas but inward, caught up in his own thoughts.
I’m continuing to work on smaller scale pieces to keep up momentum when I need a break from larger paintings and drawings. This piece is on a 6″ by 6″ birch plywood panel (it’s mounted on a 1.5″ basswood frame). I didn’t seal the panel so that I could take advantage of the pigment bleed to suggest foliage in the background.
I’m continuing to experiment with my doodles (re: my April 23, 2015 post ).
These 2 are on 8″ x 8″ gessoed hardboard panel. It’s a nice size- not too big and not too small.